Contemporary Process of Pottery Making in Yala Local Government of Cross River State

Ajoma Simon Okwoche; Emeka Emmanuel Okonkwo

doi:doi:10.11648/j.ajae.20210801.11

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Contemporary Process of Pottery Making in Yala Local Government of Cross River State

Ajoma Simon Okwoche, Emeka Emmanuel Okonkwo

Published in American Journal of Aerospace Engineering (Volume 8, Issue 1)

Received: 23 September 2020 Accepted: 14 January 2021 Published: 28 January 2021

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Abstract

This paper x-ray pottery production processes starting from the extraction of the clay, transportation of the clay, preparation of the clay fashioning, decoration and designing, firing and marketing of the finished product (pottery). Pottery is one of the oldest technologies of the people of yala. Although traditional pottery made by fashioning plastic clay into object of desirable shapes and then fired under a particular temperature in an open fire which resulted to permanent changes. Though yala potters still engage in traditional method, patronage of this pots are not quite encouraging. In the past majority of house wife engage in pots making for survival, they are no rules regardless of who made pots but yala traditional pottery making is associated with feminine (women). The wogada people settle at the bank of the river where clay materials are sourced from, this means that clay the major raw materials is still abundant in wogada the land of yeje. In Ebo Yala pottery is considered as women work is mostly done at their (extension) spare time on this day. In the olden days, it was a full time work that when the potters is going for extraction she go along with the children to help her get their clay and transport it back home. Who argue that pottery is the creation of objects from clay is associated with child birth and has been restricted to women alone, there are few communities where potting is carried out by both men and women. Although traditionally (indigenous) pottery production have survive in Yala (Ebo). The clay for pottery making is mostly found within the river line area, pots making are specially for some family linage, they are varieties of pots such as for cooking, ritual, drying of fish/meat, herbs, storing of drinking and also fetching of water.

Published in	American Journal of Aerospace Engineering (Volume 8, Issue 1)
DOI	10.11648/j.ajae.20210801.11
Page(s)	1-8
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Yala, Traditional Pottery, Clay, Water, Pot formation

References

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[2]	Ali, V. E. (2011): Towards sustainable development of traditional pottery industry in Igbo of South Eastern Nigeria, Ashakwu journal of ceramics; Vol. 8 June, 2011, Department of Industrial Design, Almadu Bello University, Zaria.
[3]	Arnold, D. E., and Nieves, A. L. (1992). Factors affecting ceramic standardization. In George, J. Arnold, P. J. III. (2000). working without a net: Recent trends in ceramic ethnoarcheology. Journal of Archeological Research 8: 105-133.
[4]	Arnold, Dorothea (1981) Ägyptische Mergeltone ("Wüstentone") und die Herkunfteiner Mergeltonware des Mittleren Reichesaus der Gegend von Memphis. In Studienzuraltägyptischen Keramik, ed. Dorothea Arnold, pp. 167-191. Mainz am Rhein: Philipp von Zabern.
[5]	Arnold, Dorothea, and Janine Bourriau (1993) (eds.) An introduction to ancient Egyptian pottery. Mainz amRhein: Philipp von Zabern.
[6]	Dada, P. O. (1985). A Brief History of lgbomina (Igboona), Matanmi, Ilorin, Nigeria.
[7]	Ecoma, V. E. (2011): Interpreting past cultures and civilization through ceramics. Ashakwu journal of ceramics; Vol. 8 June, 2011, Dept of Industrial Design, Almadu Bello University, Zaria.
[8]	Freestone, I., and Gaimster, D. (1997). Pottery in the making: ceramic traditions. London: British Museum Press.
[9]	Goody, J. (1982). Cooking, cuisine, and class: a study in comparative sociology. Cambridge University Press.
[10]	Gosselain, P. O. (1999). "In pots we trust", The processing of clay and symbols in Sub-Saharan Africa. Journal of Material Culture, 4 (2): 207-212.
[11]	Gosselain, O. (2010). “Exploring the Dynamics of African Pottery Culture.” In Rand Barndon, Asbjørn Engevik and IngvildØye (eds) The Archaeology of Regional Technologies Case Studies from the Paleolithic to the Age of the Vakings. The Mellen Press.
[12]	Gosselain, O. P. (2008). Ceramic in Africa. In Helain Selin (ed.) Encyclopedia of the History of Science, Technology and Medicine in Non-Western Cultures, Volume 1: 32–44, Springer-Verlag Berlin Heidelberg: New York.
[13]	Kayamba, W. K. (2011). Transformation of ideas of ceramics. University of Wales, UK. Unpublished MA thesis.
[14]	Kayamba, W. K. (2012). Trends in Ugandan Ceramic Technologies with special reference to the Ankole region. Vaal University of Technology, SA. Unpublished PhD thesis.
[15]	Kwesiga, P. (2013). Pottery function and Nkore social activity. Craft Research, 4 (2): 223-244.
[16]	Kwesiga, P. K. (2005). Transformation in pottery education, production and use in Nkore south-western Uganda. Middlesex University, UK. Unpublished PhD. thesis.
[17]	Kwesiga, P., and Kayamba, W. (2014). Experiments in design process and product development in Uganda’s ceramics. Net Journal of Social Sciences, 2 (3): 92-99.
[18]	Kayamba, W. K., and Kwesiga, P. (2016). The role of pottery production in development: A case study of the Ankole region in Western Uganda. Net Journal of Social Sciences, 4 (4): 81-90.
[19]	Nicholson, Paul T. (1995) The potters of DeirMawas: An ethnoarchaeological study. In Amarna reports, Occasional Publications 6, ed. Barry Kemp, pp. 279 - 308. London: Egypt Exploration Society.
[20]	Nicholson, Paul T., and H. L. Patterson (1985) Pottery making in Upper Egypt: An ethno archaeological study. World Archaeology 17 (2), pp. 222-239.
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APA Style

Ajoma Simon Okwoche, Emeka Emmanuel Okonkwo. (2021). Contemporary Process of Pottery Making in Yala Local Government of Cross River State. American Journal of Aerospace Engineering, 8(1), 1-8. https://doi.org/10.11648/j.ajae.20210801.11

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Ajoma Simon Okwoche; Emeka Emmanuel Okonkwo. Contemporary Process of Pottery Making in Yala Local Government of Cross River State. Am. J. Aerosp. Eng. 2021, 8(1), 1-8. doi: 10.11648/j.ajae.20210801.11

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AMA Style

Ajoma Simon Okwoche, Emeka Emmanuel Okonkwo. Contemporary Process of Pottery Making in Yala Local Government of Cross River State. Am J Aerosp Eng. 2021;8(1):1-8. doi: 10.11648/j.ajae.20210801.11

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@article{10.11648/j.ajae.20210801.11,
  author = {Ajoma Simon Okwoche and Emeka Emmanuel Okonkwo},
  title = {Contemporary Process of Pottery Making in Yala Local Government of Cross River State},
  journal = {American Journal of Aerospace Engineering},
  volume = {8},
  number = {1},
  pages = {1-8},
  doi = {10.11648/j.ajae.20210801.11},
  url = {https://doi.org/10.11648/j.ajae.20210801.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajae.20210801.11},
  abstract = {This paper x-ray pottery production processes starting from the extraction of the clay, transportation of the clay, preparation of the clay fashioning, decoration and designing, firing and marketing of the finished product (pottery). Pottery is one of the oldest technologies of the people of yala. Although traditional pottery made by fashioning plastic clay into object of desirable shapes and then fired under a particular temperature in an open fire which resulted to permanent changes. Though yala potters still engage in traditional method, patronage of this pots are not quite encouraging. In the past majority of house wife engage in pots making for survival, they are no rules regardless of who made pots but yala traditional pottery making is associated with feminine (women). The wogada people settle at the bank of the river where clay materials are sourced from, this means that clay the major raw materials is still abundant in wogada the land of yeje. In Ebo Yala pottery is considered as women work is mostly done at their (extension) spare time on this day. In the olden days, it was a full time work that when the potters is going for extraction she go along with the children to help her get their clay and transport it back home. Who argue that pottery is the creation of objects from clay is associated with child birth and has been restricted to women alone, there are few communities where potting is carried out by both men and women. Although traditionally (indigenous) pottery production have survive in Yala (Ebo). The clay for pottery making is mostly found within the river line area, pots making are specially for some family linage, they are varieties of pots such as for cooking, ritual, drying of fish/meat, herbs, storing of drinking and also fetching of water.},
 year = {2021}
}

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TY  - JOUR
T1  - Contemporary Process of Pottery Making in Yala Local Government of Cross River State
AU  - Ajoma Simon Okwoche
AU  - Emeka Emmanuel Okonkwo
Y1  - 2021/01/28
PY  - 2021
N1  - https://doi.org/10.11648/j.ajae.20210801.11
DO  - 10.11648/j.ajae.20210801.11
T2  - American Journal of Aerospace Engineering
JF  - American Journal of Aerospace Engineering
JO  - American Journal of Aerospace Engineering
SP  - 1
EP  - 8
PB  - Science Publishing Group
SN  - 2376-4821
UR  - https://doi.org/10.11648/j.ajae.20210801.11
AB  - This paper x-ray pottery production processes starting from the extraction of the clay, transportation of the clay, preparation of the clay fashioning, decoration and designing, firing and marketing of the finished product (pottery). Pottery is one of the oldest technologies of the people of yala. Although traditional pottery made by fashioning plastic clay into object of desirable shapes and then fired under a particular temperature in an open fire which resulted to permanent changes. Though yala potters still engage in traditional method, patronage of this pots are not quite encouraging. In the past majority of house wife engage in pots making for survival, they are no rules regardless of who made pots but yala traditional pottery making is associated with feminine (women). The wogada people settle at the bank of the river where clay materials are sourced from, this means that clay the major raw materials is still abundant in wogada the land of yeje. In Ebo Yala pottery is considered as women work is mostly done at their (extension) spare time on this day. In the olden days, it was a full time work that when the potters is going for extraction she go along with the children to help her get their clay and transport it back home. Who argue that pottery is the creation of objects from clay is associated with child birth and has been restricted to women alone, there are few communities where potting is carried out by both men and women. Although traditionally (indigenous) pottery production have survive in Yala (Ebo). The clay for pottery making is mostly found within the river line area, pots making are specially for some family linage, they are varieties of pots such as for cooking, ritual, drying of fish/meat, herbs, storing of drinking and also fetching of water.
VL  - 8
IS  - 1
ER  -

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Author Information

Ajoma Simon Okwoche

Department of Archaeology and Tourism, Faculty of Art, University of Nigeria, Enugu, Nigeria
Emeka Emmanuel Okonkwo

Department of Archaeology and Tourism, Faculty of Art, University of Nigeria, Enugu, Nigeria

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APA Style

Ajoma Simon Okwoche, Emeka Emmanuel Okonkwo. (2021). Contemporary Process of Pottery Making in Yala Local Government of Cross River State. American Journal of Aerospace Engineering, 8(1), 1-8. https://doi.org/10.11648/j.ajae.20210801.11

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ACS Style

Ajoma Simon Okwoche; Emeka Emmanuel Okonkwo. Contemporary Process of Pottery Making in Yala Local Government of Cross River State. Am. J. Aerosp. Eng. 2021, 8(1), 1-8. doi: 10.11648/j.ajae.20210801.11

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AMA Style

Ajoma Simon Okwoche, Emeka Emmanuel Okonkwo. Contemporary Process of Pottery Making in Yala Local Government of Cross River State. Am J Aerosp Eng. 2021;8(1):1-8. doi: 10.11648/j.ajae.20210801.11

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@article{10.11648/j.ajae.20210801.11,
  author = {Ajoma Simon Okwoche and Emeka Emmanuel Okonkwo},
  title = {Contemporary Process of Pottery Making in Yala Local Government of Cross River State},
  journal = {American Journal of Aerospace Engineering},
  volume = {8},
  number = {1},
  pages = {1-8},
  doi = {10.11648/j.ajae.20210801.11},
  url = {https://doi.org/10.11648/j.ajae.20210801.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajae.20210801.11},
  abstract = {This paper x-ray pottery production processes starting from the extraction of the clay, transportation of the clay, preparation of the clay fashioning, decoration and designing, firing and marketing of the finished product (pottery). Pottery is one of the oldest technologies of the people of yala. Although traditional pottery made by fashioning plastic clay into object of desirable shapes and then fired under a particular temperature in an open fire which resulted to permanent changes. Though yala potters still engage in traditional method, patronage of this pots are not quite encouraging. In the past majority of house wife engage in pots making for survival, they are no rules regardless of who made pots but yala traditional pottery making is associated with feminine (women). The wogada people settle at the bank of the river where clay materials are sourced from, this means that clay the major raw materials is still abundant in wogada the land of yeje. In Ebo Yala pottery is considered as women work is mostly done at their (extension) spare time on this day. In the olden days, it was a full time work that when the potters is going for extraction she go along with the children to help her get their clay and transport it back home. Who argue that pottery is the creation of objects from clay is associated with child birth and has been restricted to women alone, there are few communities where potting is carried out by both men and women. Although traditionally (indigenous) pottery production have survive in Yala (Ebo). The clay for pottery making is mostly found within the river line area, pots making are specially for some family linage, they are varieties of pots such as for cooking, ritual, drying of fish/meat, herbs, storing of drinking and also fetching of water.},
 year = {2021}
}

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TY  - JOUR
T1  - Contemporary Process of Pottery Making in Yala Local Government of Cross River State
AU  - Ajoma Simon Okwoche
AU  - Emeka Emmanuel Okonkwo
Y1  - 2021/01/28
PY  - 2021
N1  - https://doi.org/10.11648/j.ajae.20210801.11
DO  - 10.11648/j.ajae.20210801.11
T2  - American Journal of Aerospace Engineering
JF  - American Journal of Aerospace Engineering
JO  - American Journal of Aerospace Engineering
SP  - 1
EP  - 8
PB  - Science Publishing Group
SN  - 2376-4821
UR  - https://doi.org/10.11648/j.ajae.20210801.11
AB  - This paper x-ray pottery production processes starting from the extraction of the clay, transportation of the clay, preparation of the clay fashioning, decoration and designing, firing and marketing of the finished product (pottery). Pottery is one of the oldest technologies of the people of yala. Although traditional pottery made by fashioning plastic clay into object of desirable shapes and then fired under a particular temperature in an open fire which resulted to permanent changes. Though yala potters still engage in traditional method, patronage of this pots are not quite encouraging. In the past majority of house wife engage in pots making for survival, they are no rules regardless of who made pots but yala traditional pottery making is associated with feminine (women). The wogada people settle at the bank of the river where clay materials are sourced from, this means that clay the major raw materials is still abundant in wogada the land of yeje. In Ebo Yala pottery is considered as women work is mostly done at their (extension) spare time on this day. In the olden days, it was a full time work that when the potters is going for extraction she go along with the children to help her get their clay and transport it back home. Who argue that pottery is the creation of objects from clay is associated with child birth and has been restricted to women alone, there are few communities where potting is carried out by both men and women. Although traditionally (indigenous) pottery production have survive in Yala (Ebo). The clay for pottery making is mostly found within the river line area, pots making are specially for some family linage, they are varieties of pots such as for cooking, ritual, drying of fish/meat, herbs, storing of drinking and also fetching of water.
VL  - 8
IS  - 1
ER  -

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